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sales@guitareffectspedals.com Toll Free 1-800-455-1030 (U.S.) 1-973-366-4554 (International) No sales tax outside of New Jersey. International shipping costs are not included. |
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dimensions: 6 x 8.5 inches $499.95 FREE 2-3 Day Shipping!
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The Voodoo-Vibe+ is completely analogue in operation and exhibits a very transparent and full sound quality that is lacking in digital products that simulate chorus and flanging effects The digital zipper noise and graininess is eliminated and the guitar tone is maintained throughout the full dynamic range. Class A discrete circuitry is used in all audio stages and results in ultra high audio quality and very low noise. The signal to noise ratio of the unit is 102dB, which is about 12dB better than a CD. Extensive internal power supply filtering is used so that the low noise performance is maintained when using even the most basic commercial mains adapter or battery eliminator.  The Voodoo-Vibe+ is in a new enclosure with a slightly sloped front and you don't need to remove the bottom to change the battery.  No more screws to lose!!! EXTERNAL POWER ADAPTER / SUPPLY : An external AC adapter (not supplied) can be used and access is through a standard DC power jack ( 2.1mm centre pin ) situated next to the jack sockets.  Internal onboard filtering ensures that optimum low noise performance is maintained and diode protection provides peace of mind in case of polarity setting mistakes.
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A lot of people have requested me to make new unique dual purpose guitar pedal with clean sustain and overdrive that can be used with chords.  I am proud to announce the Voodoo-Blues a revolutionary new design which can be set to provide both overdrive and clean boost. I have over the years repeatedly refused to make an updated copy or clone of the Tube Screamer because I personally was never happy with its nasal tone and lack of detail and dynamics. A new innovative design approach was needed to make a unique product that would be a significant improvement.  The Voodoo-Blues is the result.  A unique new guitar effects pedal that uses a completely different circuit to produce a set of very musical overtones with feed forward compression as it slips into overdrive.  The full dynamics and detail of the guitars tone are faithfully preserved and the unit cleans up perfectly with the guitar Volume control. I urge you to compare the Voodoo-Blues with any type of overdrive pedal for you to "experience the difference" and not agree that it does its job beautifully and gives the discerning player an alternative for those who demand this type of overdrive.  Our "Forward Ever - Backward Never" approach to effects design has fuelled our success since 1964 and has enabled us to move the goal posts forwards again setting new benchmark standards. The output level is high enough to drive the 1st Stage of Tube Amplifiers into distortion if required and the Fatness control does what it says and is not just a simple EQ section. It has all the usual features of our Voodoo-Series pedals and is a welcome addition to the range. Don't imagine that it can only be used for Blues as its characteristics lend itself very well to Rock and Country as well. EXTERNAL POWER ADAPTER / SUPPLY : An external AC adapter (not supplied) can be used and access is through a standard DC power jack ( 2.1mm centre pin ) situated next to the jack sockets.  Internal onboard filtering ensures that optimum low noise performance is maintained and diode protection provides peace of mind in case of polarity setting mistakes. Connection protocol: It uses the standard negative centre pin connection protocol used by many leading manufacturers. Specifications: 9 volt DC. Regulated output is recommended. |
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Roger Mayer Voodoo Series Voodoo-Axe  The Voodoo-Axe is our latest fuzz guitar effect pedal and has many of the qualities the Axis Fuzz which I designed for Jimi in 1968.  Jimi used the original Axis on the landmark recording 'Axis Bold as Love' and the Voodoo-Axe is an evolution from my original design.  The original Axis Fuzz is still in production today but the Voodoo-Axe offers an alternative and exciting range of new modern tone colours for those who want to experience the same basic sound qualities of the original but extend and modify the tone to suit today's music.
I have taken this great classic fuzz sound and added a very effective Fatness control which extends and tightens the low end response without becoming woolly and indistinct.  The very tight and extended low end was expressly designed to compliment the use of dropped tunings and dynamically responds very well to this new range of modern sounds.  The Voodoo-Axe reacts in a human way to the players touch as it uses a significant part of this information to continuously adjust it's operating point.  The quality of distortion produced is very musical to the ear and responds well to the use of chords.  The Guitar volume control works in perfect harmony with the unit to control the amount of distortion.  The background noise is very low and encourages the use of lots of sustain without hiss and the extremely large output swing will drive the front end of any amplifier to its limit. It has the highest output level of any of my distortion or fuzz units and you can use it very effectively as a power booster. Electronically the Voodoo-Axe shares all the same basic Voodoo Series features with dual output buffering etc. EXTERNAL POWER ADAPTER / SUPPLY : An external AC adapter (not supplied) can be used and access is through a standard DC power jack ( 2.1mm centre pin ) situated next to the jack sockets.  Internal onboard filtering ensures that optimum low noise performance is maintained and diode protection provides peace of mind in case of polarity setting mistakes. Connection protocol: It uses the standard negative centre pin connection protocol used by many leading manufacturers. Specifications: 9 volt DC. Regulated output is recommended. |
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Roger Mayer Voodoo Series Voodoo-1  The Voodoo-1 has been designed and optimised to suit a wide range of pickups.  It is the best choice for humbucking pickups and produces bright clear tone colours that will make solos stand out without sounding too thin.  Using single coil pickups and 4 x 12 cabinets gives the addition body with bite that is necessary to cut through.  The Voodoo-1, of course is equally happy with combos at low volume and make these small amps sound like big stacks.  The distortion produced feels particularly tube like in operation and the Voodoo-1 slips into distortion with silky smoothness and compression characteristics usually only associated with vintage classic tube amplifiers The volume control of the guitar is very effective in controlling the amount of distortion and the guitar cleans up to it's original tone very easily   The Tone control is of advanced design and has been optimised to compliment various pickup types.  The Gain control enables the unit to be used as a power booster without distortion up to full maxed out grunge grooviness.  The Output control sets the amount of boost required.
Electronically the Voodoo-1 distortion section uses a unique combination of the best discrete and IC design techniques to emulate the type of distortion found on many classic tube amplifiers.  It allows the player to create a wide range of distortion effects from mild to extreme whilst reacting to the most subtle nuances in touch and playing. EXTERNAL POWER ADAPTER / SUPPLY : An external AC adapter (not supplied) can be used and access is through a standard DC power jack ( 2.1mm centre pin ) situated next to the jack sockets.  Internal onboard filtering ensures that optimum low noise performance is maintained and diode protection provides peace of mind in case of polarity setting mistakes.
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Roger Mayer Voodoo Series Voodoo-Bass  The Voodoo-Bass is so named because it adds a gutsier bass equalisation to the Voodoo-1 distortion sound.  This enables players who favour single coil pickups to reproduce quite effortlessly the rounded, bluesy sound of classic pickups such as the Gibson P90.  The comprehensive Gain and Tone variation provided by the Voodoo-Bass enable a very wide range of distortion sounds to be created from the compressed, just clipped sustain of traditional Chicago Blue to the sweet scream of full tube overload.  This guitar effects pedal also works very well with Bass Guitar as an increasing number of bass player are rediscovering the joys of adding both compression and distortion to their sound.
Electronically the Voodoo-Bass and Voodoo-1 each share all the same features but the equalisation sections have been altered to provide a completely different set of optimised tone response . EXTERNAL POWER ADAPTER / SUPPLY : An external AC adapter (not supplied) can be used and access is through a standard DC power jack ( 2.1mm centre pin ) situated next to the jack sockets.  Internal onboard filtering ensures that optimum low noise performance is maintained and diode protection provides peace of mind in case of polarity setting mistakes.
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Roger Mayer Voodoo Series Voodoo Boost  The Voodoo Boost is the latest in the Voodoo Series of analogue guitar effects and differs from all the other Distortion and Fuzz effects we make in almost every key area of operation.  It has been designed expressly to compliment the many various designs of amplifiers in use today and should be used last in the effects chain just before the amplifier.  It is not only excels in live situations but also is equally versatile in the recording studio.  It controls not only volume boost but also has a fatness control and gain/distortion control to give a truly wide range of operational possibilities.  The direct dual drive outputs also make parallel or multi path processing easy without having to buy any other splitter device.  The following sections will give some idea of the many ways it can be used.
Volume Boost: The Voodoo Boost is capable of a significant distortion free volume boost to the amplifiers input at the touch of the footswitch.  The fatness control will sets the tone required when this boost is required.  Normally if only volume boost is required the gain control is set to minimum and the output level control adjusts the amount of boost.  The overall output capability of the unit is sufficient to make the amplifier stages distort severely if required.  1st stage distortion can also be introduced by lowering the amplifiers volume control and raising the Voodoo Boost output level.  The output level from guitar pickups is usually not enough to overload the 1st stage significantly so this is a new area to try.  The Voodoo Boost will give a simple classic amp channel switching features. Fatness Control: This control does what it says, you dial on fatness of tone.  It is not just a simple tone circuit but has been carefully crafted to produce a remarkably wide range of useful amplifier tones.  Screaming Tweed Twang to Classic British 4 x12 tones can be emulated with ease.  So set your amp to a neutral tone setting and experience the range of tone control provided.  There is no overriding nasal tonal quality that plagues so many pedals and the openness of the tone quality is truly amazing. Gain: The overall internal gain of the unit can be adjusted to introduce very pleasant internal harmonic distortion which when used in conjunction with the output control unleashes unlimited sonic combinations.  Remember to use the bypass frequently to return to your reference point.  The amount of gain available should satisfy even the most diehard metal head.  There are many sonic possibilities available from mild crunch to absolute overdrive insanity as the various combinations of amp distortion and or Voodoo Boost distortion are experimented with. The Voodoo Boost is housed in a die cast enclosure and has provision for an internal 9-Volt Battery (battery life 150Hrs) or can be powered from a 9-Volt DC Power Adapter (not supplied).  Extensive internal filtering ensures that noise free operation is maintained even with the most basic of adapters.  It also has dual direct drive outputs that are capable of driving very long leads without any loss and in fact you can use a speaker lead for the outputs if you want without any hum.  This direct true bypass feature is standard on all our voodoo series and in effect reduces the output lead length to zero.  This results in greater detail and fidelity than using two long lengths of guitar leads in traditional hard wire bypass set-ups.  The problem of cable noise induced by vibration on stage is eliminated together with electrical magnetic interference induced into shielded cables from lighting rigs etc.  Possibly of more importance there is no tone sucking at all from the output length of guitar cable.  After all the ultimate guitar cable would have a lead length of zero, and guitar players can detect the difference between long and short cables easily.  The overall signal quality in the unit is thus guaranteed right up to amplifier and this overall performance exceeds any other method in use today.  When using a Voodoo Boost as the last device in a signal chain the distance to the amp does not come into consideration and long leads can be used successfully in recording situations e.g.: playing in the control room. EXTERNAL POWER ADAPTER / SUPPLY : An external AC adapter (not supplied) can be used and access is through a standard DC power jack ( 2.1mm centre pin ) situated next to the jack sockets. Internal onboard filtering ensures that optimum low noise performance is maintained and diode protection provides peace of mind in case of polarity setting mistakes.
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