The MEGA-WAH is Six Wah’s plus a foot-volume control:

• Classic Wah: The original analog classic Wah sound, mono or STEREO in a lightweight, noise-free optically controlled package
• Mega-Wah: We took the classic wah and put it on steroids.  Tons more OOOMPH on the bass frequencies and a tooth-rattling upper end
• Trig-Wah: The Mega-Wah sound triggered by a note.  Sounds awesomely funky
• Auto-wah: Why buy a pedal wah, envelope filter and auto-wah?  This pedal does them all.  Select the frequency of choice with the rate control
• Stereo-Wah: Two circuits – stereo in and out - give twice the Wah and can be used in a stereo effects train
• Stereo-Reverse-Wah: Flick a switch and reverse one channel for a new melodic effect
• Foot-volume control: At the flick of another switch, the pedal becomes a foot volume control

• Easy to use.  No programming or scrolling through patches required
• All analog circuitry, crystal clear sound
• Transparent bypass achieved by a FET switch.  Open frequency response
• Stereo in, stereo out, mono in stereo out.  Mono operation an option
• Reliable, wear-free, noise-free optical operation.  Bypassed when pedal is all the way back
• 9V operating voltage, 30mA to 40mA current consumption
• Will accept standard 2.1mm power supply plug, center negative
• Flashing blue and red LED’s to show modulation rates
• Compact Size: 9” x 4” (228mm x 103mm)
• Lightweight, high-quality aircraft aluminum casting and rugged construction, only 2.3lbs (1.1kg).  Patented ergonomics

Sound Samples & More Info

The CHOPPER is five effects in one:
* Tremolo: BEST IN CLASS versatile Tremolo with modulation rate controlled on the fly by the pedal
* Rotating Speaker: BEST IN CLASS stereo rotating speaker effect with pedal - adjustable rate
* Chopper: Entrancing rhythmic fully adjustable short or long pulses IN STEREO or MONO with pedal-adjustable frequency
* Delay Emulator: All the texture of multiple echoes but without the encumbrance of a repeated note
* Panning Machine: Make your solos soar across the sound stage with a STEREO auto-panner. Control panning rate with the pedal

Mono or Stereo:
The output signal from the Chopper may be mono or stereo, but is infinitely more interesting in stereo.  In stereo, the effect can be panned or “chopped” from one channel to another and combined in phase or out of phase in various ways to produce an infinite number of captivating sounds.  Merely describing it will not do it justice.  You have to hear it to believe it!

Best in Class
In addition to astoundingly new effects, the Chopper will produce the ultimate versions of traditional effects such as tremolo, auto pan and Leslie (rotating cabinet) effects, but all with a key difference- the frequency of the effects can be varied with the on-board pedal unit.  No additional expression pedal is needed.  By-passed by FET Switch – No loss of signal or frequency response when by-passed. Runs on a 9v battery (included when shipped), or a standard 9v AC adapter.  Compact Size: 9” x 4” (228mm x 103mm).  Lightweight, high-quality aircraft aluminum casting and rugged construction, only 2.3lbs (1.1kg).  Patented ergonomics

Features:
• Easy to use. No programming or scrolling through patches required
• All analog circuitry, crystal clear sound, no coloration
• Transparent bypass achieved by a FET switch. Open frequency response same as a true mechanical bypass, but more reliable. Noiseless switching.
• The circuit is designed so there is no loss of signal amplitude when the pedal is turned on, so turning it on is seamless.  Many tremolo pedals appear to lower the volume when turned on.  The Chopper does not.
• Reliable, wear-free, noise-free optical operation.  Bypassed when pedal is all the way back.
• Mono in, stereo out, even when in bypass mode.  Both outputs are equal with zero gain
• 9V working with low 15mA current consumption.  Batteries just keep on going…
• Will accept standard 2.1mm power supply plug, center negative, reverse polarity protected
• Flashing blue and red LED’s to show modulation rates
• Compact Size: 9” x 4” (228mm x 103mm)
• Lightweight, high-quality aircraft aluminum casting and rugged construction, only 2.2lbs (1.1kg).  Patented design ergonomics

How it works:
There are two waves (oscillators) on the Chopper, one is a square wave which produces the chop sound and the other is a triangle wave which provides the tremolo or pan.  Both waves run independently.  On the left side of the unit, the controls adjust the chop attributes, and on the right side, the controls adjust the pan and tremolo attributes.  There is a Mode Selector Switch which allows you to choose Chop only (CHOP), Tremolo / Pan only (STIR), and either of two combinations of both (BLEND and SHAKE).

In mono, when you turn the Chop on, the sound will be turned on and off at the rate and ratio you choose.  In stereo, when one side is off, the other side is on, so the signal bounces back and forth across the sound stage.  Try it on a big stage and the audience will be knocked out.

In pan / tremolo mode, in mono, the device will provide a versatile tremolo unit that allows the signal to be modulated deeper and slower than all other tremolo units, and the tempo can be set on the fly.  In stereo, one side is on while the other is off, so the sound pans gradually from the left to the right at a rate determined by the rate control or pedal.

When you select the Blend or Shake modes, in mono, you hear the two waves beating against each other.  In stereo, you here rhythmic pulses flying across the room.

Sound Samples & More Info

Peter says:

“My Signature MegaWah is a very special pedal. It has a unique sound with a warmth I can’t get with anything else. It out-performs any Wah out there with it’s exceptional tone and different modes. I love it – it’s on my pedal board already!”

The all-analog Peter Frampton MegaWah has four onboard settings via a four-position selector switch:

• A Classic Wah with the same sweep characteristics and tones as vintage Wah pedals.
• Peter Frampton Signature Mega setting with the extended filter range and full low-end response and warm high-end.
• The funkiest, most melodic and talkative automatic Envelope Wah on the planet.
• An Auto-wah with a variable rate control.

Controls:
The Peter Frampton Signature MegaWah has five onboard controls that face you as you play:
1.  Four position selector switch to select any of the effects above.
2.  An overall effect gain (volume) to enable louder soloing as required.
3.  A resonance control to control the ‘Q’ (peak signal amplification).  This controls the amount of wah from a subtle quack to a massive wail.  Up to 15dB of peak amplification is available ensuring the most expressive and powerful Wah sound out there.
4.  Envelope sensitivity control; the automatic envelope Wah is triggered by your picking attack style (note velocity).  You can vary the sensitivity so that the envelope can talk or quack according to your preference.
5.  An Autowah rate control to provide variable Autowah tempos.

Specifications:
• All analog circuitry.
• Easy to use. Patented ergonomic design with the control knobs facing you.  The unique pedal shape allows more controls in a smaller footprint.
• All analog, clean and clear wide dynamic range achieved by doubling the operating voltage internally to provide more signal headroom.
• Reliable, wear-free, noise-free, pop-free optical operation.  Bypassed when the pedal is all the way back (heel down).
• 9V operating voltage, 30mA current consumption (we recommend using an AC adapter).
• Will accept standard 2.1mm 9VAC adapter supply plug, center negative.  Adapter jack has protection diode to protect the pedal from an incorrect polarity should it occur.
• Bright blue LED to show effect is on and flashing red LED to show Auto-wah modulation rate.
• Compact Size: 9” x 4” (228mm x 103mm).
• Lightweight, high-quality aircraft aluminum casting and rugged construction, only 2.3lbs (1.1kg).
• CE, RoHS, FCC compliant.

Sound Samples & More Info

This is what Johnny has to say about the gig-fx Johnny Hiland Signature Wah pedal:

“I am SO excited, and proud, to see the release of my new JH signature KILO-WAH!  Gig-fx has built me the perfect Wah pedal that matches my playing in versatility.  My pedal is lightweight, and is very user friendly with no on/off switches to worry about.  It features a big bright LED that even a blind boy can see on stage.  The four Wah effects, built in, offer a nice sweet tone with a deep sweep.  My pedal is just simply awesome!!!!  Gig-fx ROCKS, and the proof is in the pickin.’  Go out, and put a Gig-fx JH KILO-WAH under your foot today!!!!!  It’s a wah stompin’ good time!!!!!!!!”

The all-analog Johnny Hiland KILO-WAH has four onboard settings via a four-position selector switch:

• A Classic Wah with the same sweep characteristics and tones as vintage Wah pedals.
• The Johnny Hiland Signature Mega setting with the extended filter range and full low-end response.
• The funkiest, most melodic and talkative automatic Envelope Wah on the planet.
• An Auto-wah with a variable rate control.

Specifications:
• All analog circuitry.
• Easy to use. Patented ergonomic design with the control knobs facing you.  The unique pedal shape allows more controls in a smaller footprint.
• All analog, clean and clear wide dynamic range achieved by doubling the operating voltage internally to provide more signal headroom.
• Reliable, wear-free, noise-free, pop-free optical operation.  Bypassed when the pedal is all the way back (heel down).
• 9V operating voltage, 30mA current consumption (we recommend using an AC adapter).
• Will accept standard 2.1mm 9VAC adapter supply plug, center negative.  Adapter jack has protection diode to protect the pedal from an incorrect polarity should it occur.
• Bright blue LED to show effect is on and flashing red LED to show Auto-wah modulation rate.
• Compact Size: 9” x 4” (228mm x 103mm).
• Lightweight, high-quality aircraft aluminum casting and rugged construction, only 2.3lbs (1.1kg).
• CE, RoHS, FCC compliant.

Sound Samples & More Info

* Tremolo: BEST IN CLASS versatile Tremolo with modulation rate controlled on the fly by the pedal
* Rotating Speaker: BEST IN CLASS stereo rotating speaker effect with pedal - adjustable rate
* Chopper: Entrancing rhythmic fully adjustable short or long pulses IN STEREO or MONO with pedal-adjustable frequency
* Delay Emulator: All the texture of multiple echoes but without the encumbrance of a repeated note
* Panning Machine: Make your solos soar across the sound stage with a STEREO auto-panner.  Control panning rate with the pedal

Plus the PRO-CHOP has additional features:
* LCD Read Out: Modulation frequencies can be seen enabling precise and repeatable tempos.
* LCD Easy to See: Illuminated with bright blue LEDs for maximum visibility.
* MIDI SYNC: Modulation frequencies can be sync’d to a MIDI clock signal – get in sync with any groove.
* Make New Waves: Player can choose 1/2/3/4/8 chops or pans or tremolo waves per MIDI beat.
* Easy to Use: Two button system to choose display / sync mode of choice.

Mono or Stereo: The output signal from the PRO-CHOP may be mono or stereo, but is infinitely more interesting in stereo.  In stereo, the effect can be panned or “chopped” from one channel to another and combined in phase or out of phase in various ways to produce an infinite number of captivating sounds.  Merely describing it will not do it justice.  You have to hear it to believe it!

Sound Samples & More Info

* Three- position pedal: Select the any of three levels of gain and distortion giving anywhere from clean boost to shred.  No need for multiple buttons
* Flexible: Each of these three levels can be individually pre-set for gain and distortion.
* Three Band EQ: Post-effect EQ anywhere from fat and warm to mid-rich to bright and can be adjusted to preserve original tonal qualities of your guitar.
* Three bright LEDs: Indicate pedal position and level of distortion selected, easy to see on stage.

Sound Samples & More Info